Door in the Floor

26 Nov

A muse can lurk anywhere. Some hide within the chorus of a childhood tune. Others breathe on the walls of art galleries. When it comes to discovering a muse, never limit yourself to just one.

While time consuming, movies make for miraculous muses. A song can put you in a mood, directly stimulating the imagination through your auditory senses for a few minutes. But a movie invites you inside for an experience over an extended period of time. Movies manifest more than moods, they mold the viewer into thematic characters. This is why I avoid horror films. For weeks, I’ll be witnessing poltergeists peeking over the shower curtain. After Gladiator, I marched through the neighborhood ready to assault everyone in my path. This phenomenon also explains why I’ll only watch Broke Back Mountain when surrounded by women. However, it also explains why The Door in the Floor is my writing muse.

Released in 2004, Door in the Floor, directed by Tod Williams and based on John Irving’s A Widow for One Year, profiles celebrity children’s author Ted Cole (Jeff Bridges) as he copes with the growing distance between his wife (Kim Basinger) after the death of their two sons.



Bridges won an Oscar for Crazy Heart playing a has-been alcoholic musician, yet his performance here as a compassionate alcoholic writer is as compelling if not more mesmerizing.

While Cole’s career as a writer is background fodder, the screenplay swims in ‘muse-ical’ sound bites.

“In my stories, you can see what’s coming, but you don’t see everything that’s coming.”

When asked if he was an artist or a writer, Cole responds, “I’m just an entertainer of children and I like to draw.”

“Many of my books contain 500 words or less. So every word must be examined, and re-examined thoroughly. We’re going to be spending the whole summer looking for le motjuste, as Flaubert says. The right word. The true word.”

“Everything in fiction is a tool: pain, betrayal, even death. These are, you know, these are like, uh, different colors on a painter’s palette. You need to use them.”

“There is no nakedness that compares to what it feels like to be naked in front of someone for the first time.”

“This story is better in the dark”

Early in the film Cole says, “Writing is rigorous work. I keep myself incredibly busy,” after finishing a casual game of squash. How could possibly consider himself busy, especially when most of his afternoons were filled with wine, cheese as he sketches naked women? Well, he was right. A writer does need to keep busy, and that’s all. Sure, they have to write, but they also need to be ‘living life’ and feeding the senses. While a tragic drama, the film provocatively paints the life of a (rich and famous) writer.

Whenever I find myself slipping away from writing, I push play and let The Door in the Floor set me straight on the path towards success. If time is short, head over to American Rhetoric’s Movie Speeches and watch the video or download the mp3 of Ted Cole reading The Door in the Floor.

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